You can tear these coffee passports from my cold, dead hands.

I was repurposing a big basket tonight (as I’m apt to do in the wee hours of the morning when I’ve accidentally drank too much coffee after 6pm), and came across a stack of coffee passports and coffee master kits from my time in the trenches at Starbucks. The thought crossed my mind that it might be time to purge some of these things, but I don’t know, I just don’t want to yet.

The thing is: I have a lot of really fond memories of working at Starbucks. It’s surprising how many sentences I start with, “You know, when I worked at Starbucks…”

Starbucks was my first real job. I was set to graduate college, and, having a typical 22-year-old what-am-I-doing-with-my-life existential crisis, walked three miles from school to find a serendipitous sign on the storefront at 670 N. Michigan, Number 2548 – the busiest Starbucks in the Midwest. It went something like: “Now Hiring.”

Ok, as far as coffee art goes I get that Starbucks is the McDonald’s of premium coffee beverages (except, apparently the golden arches have their own fancy coffees now too…), but I maintain that it was, and I assume still is, a fantastic company to work for. Character building… yeah, that’s what it was.1926875_10153091662771079_3973350116197501150_n

So…. right. Purging.

In the end, I parted with the two coffee master kits, but couldn’t give up the passports even after streaming an episode of Hoarders on Netflix.

#thestruggleisreal

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Lauren

Lauren Warnecke is a freelance writer and editor, focused on dance and cultural criticism in Chicago and across the Midwest. Lauren is the dance critic for the Chicago Tribune, editor of See Chicago Dance, and founder/editor of Art Intercepts, with bylines in Chicago Magazine, Milwaukee Magazine, St. Louis Magazine and Dance Media publications, among others. Holding degrees in dance and kinesiology, Lauren is an instructor of dance and exercise science at Loyola University Chicago.

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